Pós-Graduação | Postgraduate Program in Drama

The Postgraduate Program in Performing Arts at ECA-USP had its origin in 1981, and it is considered the oldest and pioneer program in the field in the country. Initially, it was part of the Postgraduate Program in Arts, but in 2006, it became independent, as the Postgraduate Program in Performing Arts - PPGAC, promoting its development by acquiring autonomy to implement research projects , teaching and intellectual production related to its own characteristics.

The creation of an autonomous Performing Arts Program at USP is a result of the strengthening of this field of knowledge in a national level, mostly due to the dedication of teachers and students who have been actively participating in this work. The Program's four research lines, focused in two areas, incorporate contemporary thinking nationally and internationally. With the aim to establish a solid position and be recognized as an Excellence Program in the country, the PPGAC proposes new challenges, in theater, dance and performance as interconnected areas, involving theory and practice.

PPGAC brings together an active and qualified group of teacher-researchers, distributed in laboratories, research and teaching groups, contributing to an intense dialogue with society. It is also important to highlight the fruitful relationship with the undergraduate program, improving the connection between the two levels. The porosity of the research performed by professors accredited to the pedagogical and creative processes of undergraduate students has been acquiring an expressive performance, together with the postgraduate researches, resulting in an effective impact of our actions in the Brazilian territory.

The two magazines published in the Program - Sala Preta and Aspas - include publications of research developed by the Program, contributing to the transmission, at national and international levels, of the projects. PPGAC is coordinated by a Postgraduate Commission (CCP), which has as full members three full accredited advisors in the Program, and a student representative.

Research Area - Theory and Practice of Theatre

Assuming that practical and theoretical research are complementary forms of producing knowledge, in this field, researchers become theorists, critics, hermeneutics and theater arts creators, all in the same person, who, as seen in contemporary artist-researchers, moves freely through the various levels of theatrical operations. When stimulating the collective production of theatrical knowledge and practice we are able to dissolve schemes based on the temporal disassociation of creative and reflection-oriented operations. Both are exercised simultaneously, each one questions and complements the other, since their practice is based on theoretic reflections, and theory is necessarily a praxis of theater arts.

Based on this broad academic major, two differential vectors are traced, giving name to the two lines of research derived from this trunk: Text and Scene and History of Theater.


Research Line: Text and Scene

To reflect on the relationship between Text and Scene one must necessarily analyze questions revolving around Staging, Acting and Dramaturgy, not seen as separate fields, but as productive instances of performing arts texts, comprised of all the significant systems mobilized in a performance, both complementary and interdependent. Keeping in mind that contemporary performances reside in a tension-filled space cohabitated by various renditions – that of the director, the actor and the playwright -, the object of the intended thematic division is to emphasize the preferential interest of the researcher who, in most cases, should not hesitate in analyzing the live theatrical scene, characterized by the fluidity and the mobility of boundaries between the generally unstable areas specified.


Research Line: History of Theater

The History of Theater research line, encompassing both Brazilian and International Theater  History – is directed towards investigators who prioritize an approach to theater through its relationship with history, by means of studies in which the temporality of any specific moment of social evolution be a determining factor in the interpretation of a performance. The global processes of history, the collective social movements and the determining aspects of contexts in theater are a few of the premises that orient this line of theatrical investigation, be it aimed specifically at Brazilian or International Theater, east or west.


Research Area  - Theater’s  Pedagogy

In the Theater’s  Pedagogy Research Area,  the diverse aspects that characterize the relationship between Theater and Pedagogy come together, uniting both those investigations dealing with the educational character of theater practices, as well as those aimed at the principles and methods of teaching and learning theater arts in professional and amateur spheres. This academic research area thus encompasses research focusing on theatrical practices as a relevant experience in an individual’s training, as well as the processes revolving around the technical and contemplative refinement of theater artists. This field is divided into two research lines: Theater and Education and Training of Theater Artists.


Research Line: Theater and Education

The Theater and Education research line proposes to investigate theater arts as an educational activity, through perspectives based on different approaches. It thus encompasses theatrical performance as a teaching practice, emphasizing a variety of issues revolving around the concepts and methodologies relative to learning theater in school and in other educational and cultural institutions. It also deals with theater practices as a form of cultural activity, without forgetting the relationship between the theater and today’s society, both in spheres of cultural democratization as well as in the possibilities existing in theater arts today as an instrument of social transformation. The research line encompasses questions and practices that reflect on the creation of theater audiences, focusing the theme through a wide variety of perspectives, both touching on the different propositions of cultural mediation aimed at creating audiences as well as the artistic-pedagogical practices that endeavor to capacitate spectators. In this sense, it also delves into studies of theatrical Reception, contemplating spectator activities in face of a performance, and how the stage props and scenery presented by their creator may be transformed into an aesthetical experience.


Research Line: Training of Theater Artists

The Training of Theater Artists line of research focuses on the different concepts, methodologies and content that constitute processes of teaching/learning contemporary theater artists. It thus encompasses research that investigates theatrical interpretation, emphasizing those methodological aspects that deal with the actor’s craft and those that indicate the importance of his/her consciousness concerning their learning process in itself, revealing just how relevant an actor/researcher’s training is while being aware of the premises that guide his/her own work and investigative the processes. This research line also revolves around research of the techniques and principles that deal with the creation of stage directors, set designers, costume designers, dramatists, stage illuminators, musical directors and other theater artists.

Coordination for Graduate Program in Performing Arts(PPGAC)

 

Program Coordination Committee:

Prof. Dr. Flávio Augusto Desgranges de Carvalho - Coordinator

Prof. Dr. Marcos Aurélio Bulhões Martins - Vice-Coordinator

Prof. Dr. Silvia Fernandes da Silva Telesi – Third Member

Prof. Dr. Sérgio Ricardo de Carvalho Santos (Substitute Coordinator)

Prof. Dr. Luiz Fernando Ramos - (Substitute)

Prof. Dr. Elizabeth Ferreira Cardoso Ribeiro de Azevedo (Substitute)

 

Students

Leonel Martins Carneiro

Humberto Issao

 

Andreia Zaik  – Committee Secretary

 

Contact Information

ECA-USP Postgraduate Committee Secretary:

E-mail: ppgac@usp.br

Telephone: +55(11) 3091 1608

 

Address:

Av. Prof. Lúcio Martins Rodrigues, 443 - 1º andar

Butantã - São Paulo/SP  -  CEP: 05508-020 - Brasil

The Graduate Program in Drama at ECA-USP has two areas of research, subdivided into four research lines

Research Area -Theory and Practice of the Theatre

Research Line- History of Theater

Research Area - Theory and Practice of the Theatre

 

Projects for Research Line History of Theater

Professor Responsible

Title of Research Project

Elizabeth Azevedo

The Sebastião Arruda Company of comedy, operetta, revue, vaudeville and variety

Elizabeth Azevedo

Information and Memory Laboratory of ECA/USP’s Arts Sciences Department - LIM CAC

Fausto Viana

The Milk and Coffee Plots

Jacó Guinsburg

Dialogism in the romantic work of Diderot Jacques the fatalist and Rameau’s nephew

João Roberto Gomes de Farias

Theater ideas in Brazil: the XX century ( 2nd Part1943-1978)

João Roberto Gomes de Farias

Machado de Assis and Theater

 

Projects for Research Line Text and Scene

Professor Responsible

Title of Research Project

Ana Maria Amaral

Dichotomies – Schizo Fragments

Ana Maria Amaral

The Protagonons: Preparing actors for visual theater

Antônio Araújo

Pedagogical practices for teaching theater direction

Felisberto Sabino da Costa

Under the Sign of Janus: Dramaturgy, Object and Body

Felisberto Sabino da Costa

Improvisation Practices in Theatrical Creations

Jacó Guinsburg

Dialogism in the romantic work of Diderot Jacques, the fatalist and Rameau’s nephew

José Eduardo Vendramini

Eleonora (A Lesson on Love)

José Eduardo Vendramini

Dramaturgy Theory and Practice: a comparative study of the principle theories

Luiz Fernando Ramos

For a contemporary Theory on spectacles

Luiz Fernando Ramos

Mimesis and spectacular performance

Maria Helena Bastos

Rose Chair

Sérgio de Carvalho

The epic-dialectic theater and its contemporary use

Sílvia Fernandes<

Theatricalities and Performance. The experiences of “Teatro da Vertigem” and “Companhia dos Atores” in the Brazilian scenario

Sílvia Fernandes

Contemporary theatricalities

 

Research Area: Theater’s Pedagogy

 

Projects for Research Line Training of Theater Artists

Professor Responsible

Title of Research Project

Antonio Luiz Dias Januzelli

Latin-American Dramaturgy

Armando Sérgio da Silva

Reflexive Contextualization On the Actor’s Work

Armando Sérgio da Silva

Actors Performing Experimentation Center – CEPECA

Performance: between bodies and worlds, fluxes and representations

José Batista Dal Farra Martins

Poetics of the Voice: Voice and Words in an Actor’s Training according to Myrian Muniz

Maria Thais Lima Santos

Performance and Pedagogy in Contemporary Theater

 

Projects for Research Line Theater and Education

Professor Responsible

Title of Reaserch Projects

Flávio Desgranges

INERTE – Unstable Nucleus for Studies of Theater’s  Reception

Ingrid Koudela

Lexicon of Theater Pedagogy

Ingrid Koudela

Lessing: The Productive Critic

Marcos Bulhões

Performance in learning performing arts: an experiment in training Theater directors and professors

Marcos Bulhões

Pedagogy in non-dramatic theater: the systematization of hyper textual methodological principles and procedures in training teachers

Maria Lúcia Pupo

Theater Groups and Cultural Activities

Intellectual production

Periodicals and Publications of the Postgraduate Program in Drama
 
Sala Preta Magazine

The Sala Preta Magazine is published by ECA-USP’s Dramatic Arts Department presenting articles written by renowned  theater professionals. Editorial coordination by Luiz Fernando Ramos, Sílvia Fernandes and Flávio Desgranges.

 

Specific Rules and Regulations for the Graduate Program in Dramatic Arts

I – Members of the Program Coordination Commission ( CCP):

1. The Coordination Commission for the Graduate Program in  is comprised of the Program Coordinator, his/her Substitute, and a professor accredited as counselor in the Program, all the professors in the Unit and by a representative of the Program’s student body. A substitute will be elected for each full member.

II – Selection Criteria

1. Application documents, the number of openings available, the list of counselors, evaluation items in curriculum, as well as the evaluation score of each item and the final approval average, the themes and bibliography to be used in the selection process will be part of a specific Selection Process to be announced in August of each year.

2. The selection process for Master’s and Doctorate degrees is composed of two phases comprised of the following exams and conditions to be defined in a specific process to be published in the “Diario Oficial” for each selection process:

1st phase:

a) Evaluation of research project;

b) Score in written exam (exclusively for master’s degree candidates). Candidates for their doctorate do not take the written exam which is substituted by an analysis of their master’s dissertation;

c) Analysis of curriculum/portfolio.

 

The 1st phase is eliminatory. Only those students classified in the 1st phase will be able to participate in the 2nd phase of the selection process.

 

2nd phase:

a) Interview;

b) Proficiency in a foreign language.

 

3. The foreign language exam is eliminatory.

4. Direct Doctorate candidates will be submitted to an interview and an analysis of a detailed memorial by an examination board to be designated by the CCP. If approved, candidates will take an exam for proficiency in a foreign language and a written exam as described in item 2.

III – Duration of Program

1. The following terms and criteria for Master’s and Doctorate programs should be respected:

a) Masters: maximum term of 30 months to submit the dissertation.

b) Doctorate: maximum term of 48 months to submit the thesis.

c) Direct Doctorate, without a master’s degree: maximum term of 60 months to submit the thesis.

IV – Minimum Credits

1. Master’s students must earn at least 96 credits, following the distribution:

a) at least 28 (twenty-eight) class credits;

b) 68 (sixty-eight) credits in elaboration of thesis.

2. Doctorate students with a Master’s degrees must earn at least 164 (one hundred and sixty-four) credits, following the distribution:

a) at least 21 (twenty-one) class credits;

b) 143 (one hundred forty-three) credits in elaboration of thesis.

3. Doctorate students not holding a Master’s degree must earn at least 192 (one hundred ninety-two) credits, following the distribution:

a) at least 49 (forty-nine) class credits;

b) 143 (one hundred forty-three) credits in elaboration of thesis.

4. Masters or Doctorate students may transfer up to 7 (seven) course credits for special credits (see item XIV), as long as they are earned during the period they are enrolled in the course. It is  up to the CCP to analyze and deliberate over the request of incorporating special credits.

V. Foreign Language

1. A Master’s degree requires proficiency in one of these languages: English, French, Spanish, Italian or German.

2. A Doctor’s degree requires proficiency in two languages, including that of the Master’s.

3. Candidates are required to have reading and interpretation skills at an intermediate level.

4. Candidates approved for their Master's and Doctorate degrees must present a certificate attesting to their proficiency  by one of the following institutes:

a) FFLCH/USP Language Center (English, French, Spanish, German, Italian) – intermediate level

e Portuguese (only for foreign candidates) – intermediate level;

b) Goethe Institute (German) with a minimum classification of, level M III or C1;

c) Aliança Francesa (French) - exam: minimum 70 points;

d) Italian Culture Institute (Italian) Lato Sensu exam with scoring 50% or more

e) Miguel de Cervantes Institute, Diploma of Spanish as a Foreign Language - DELE, Miguel de Cervantes School, Hispanic Institute of São Paulo and Hispanic Culture Institute (Spanish)  - intermediate level

f) Cultura Inglesa, União Cultural Brasil-EUA, Alumni (English) – certificates and scores:  Test of English as Foreign Language - TOEFL (minimum 190 points for the Computer-based-Test – CBT; minimum 520 points for the Paper-based-Test – PBT; minimum 68 points for the Internet-based-Test - IBT ); International English Language Test - IELTS – minimum 6,0 points; Cambrigde

g) Bachelor degrees with qualification in a foreign language issued by a Humanities School of a public Institution of Higher Learning (federal or state) or from private institute.

5. Foreign candidates must present a Portuguese proficiency exam as stated in the terms of the Selection process for each selection.

6. Proficiency exams will be substituted in the following cases: proven residency for at least 6 months in a country speaking the same language as the one chosen; mother language the same as the chosen language.

VI –  Classes

1. The accreditation of classes, as well as the updating of classes already accredited, should be referred to the CCP accompanied by the following documents:

a) proper filled-out form;

b) Lattes platform curriculum of responsible teachers;

c) Detailed report, based on the analysis of the above documents, stressing the merits, the importance of the discipline for its respective academic major and research lines as well as to the proposition of the program itself.

2. In re-accrediting a discipline, besides the above items, attention should be paid to the importance of the discipline in the students’ education, updating of the program, the regularity of classes and the number of those enrolled in the past.

VII – Canceling Classes

1. A class may be cancelled if:

a) A total of three regular students per class has not been attained.

b) The teacher, with due justification, request CCP that the class be cancelled due to force majeur.

c) All canceled classes should be approved by the CCP at least 10 (ten) days before the beginning of the course.

VIII – Qualification Exam (EQ)

1. Master and Doctorate students must take a qualification exam.

2. The objective of the qualification exam in the master’s program is to provide students an evaluation of his/her research development at an adequate time, furnishing them with pertinent observations and suggestions for eventual modifications in their project and/or chronology. In the case of a doctorate, the objective of the qualification exam is, besides that already stated above, to verify if his/her research represents an original contribution to the state of the art on the theme under question.

3. Application for the exam should occur up to the 18th month after initiating the term for a Master’s degree and up to the 28th month after initiating the term for a Doctoral degree.

4. Master students must have already totaled 75% (seventy-five percent) of class credits(credit hours) required for the course in which they are enrolled.

5. Doctorate and Direct Doctorate students will take the qualification exam after totaling all the credits required for the course in which they are enrolled.

6. When applying, students should submit their Qualification Report in 5 (five) copies, written in Portuguese, accompanied by the proper filled-out form signed by the counselor, with suggestions of names to be compose the examination board to be designated by the CCP.

7. The Qualification Exam consists in the examination, by an examination board, of a written report on the development of the student’s Master’s or Doctorate research.

8. The deadline for taking the qualification exam is 90 (ninety) days after the application date.

9. In case of the student failing the exam, the new maximum term for handing in a report will be 60 (sixty) days counting from the date of the first exam.

VIII – Qualification reports

Qualification reports should follow these rules:

Part I – Activities realized during the course

Student’s personal information;

Classes taken:

a) Abstract;

b) work done;

c) points in common with dissertation/thesis;

d) school record.

Other activities (publications, conferences, productions, etc.)

 

Part II – Dissertation/Thesis Project:

Title (even if only provisional);

Research object: justification, objectives;

Bibliographic Research: development of theoretic reference table, hypothesis;

Methodology: sampling, research tools;

Difficulties encountered;

How student intends to continue;

Bibliography;

Research Plan;

Chronology up until submission of dissertation/thesis.

 

Part III – Presentation of text:

Students should present a partial text or chapter of their dissertation/thesis to a previously constituted examination board.

IX – Going from Master’s to Direct Doctorate

1. Students, using the credits they have already earned, may go from a Master’s degree to a Doctorate degree in mid-term.

2. Permission for a student to go from his/her master’s program to a Direct Doctorate may be requested by the student’s counselor on occasion of the Qualification Exam.

3. The criteria used in this case are:

a) Detailed report by the Qualification Exam board in favor of student withdrawing from Master’s degree and going directly to the Direct Doctorate program;

b) Counselor’s justification, based on the merit and originality of the research project, on the candidates performance in the Program and his/her intellectual maturity;

c) Student’s detailed and documented curriculum, outlining his/her intellectual/artistic/academic experience, especially before enrolling and during the Program, as reflected in his/her bibliographic/technical/artistic production;

d) Research Project for Doctorate (the object of which must be specified in a clear manner; objectives, justification, hypothesis, methodology, chapter structure, bibliographic references, chronology of activities in which to submit final work);

e) Proof of proficiency in one more foreign language besides that attested to when enrolling for Masters.

4. The documents will be evaluated by a professional indicated by the CCP up to 45 days after receiving the request.

5. The merit of approval and the final word will be CCP’s responsibility.

X – Unsatisfactory Academic/Scientific Performance

1. Besides failing students for those reasons contained in Art. 54 of the Postgraduate Rules and Regulations, students may be failed for unsatisfactory academic and scientific performance.

2. Failure due to unsatisfactory academic and scientific performance may be requested by the counselor and will be analyzed by the CCP based on the following documents provided by the counselor:

a) Counselor’s detailed report objectively describing the non-fulfillment of established chronology, as well as any other fact that indicates the student’s lack of productivity or his/her insufficient dedication.

2. The CCP should request the following documents from the student at least 30 days after the counselor’s request:

a) Report describing the activities undertaken during the course, the difficulties encountered and problems in adapting to the proposed chronology;

b) Research Project.

c) Texts and other material relative to student’s academic production that may prove his/her commitment to course activities.

3. After analyzing the documents the CCP will deliberate on the request for failing the student. The criteria used by the CCP for this purpose are:

a) student’s fulfillment of the chronology proposed in research project;

b) number of credits earned in the disciplines chosen in agreement with the counselor;

c) realization of activities foreseen in the project such as field research, interviews, participation in artistic activities, etc.

e) student’s performance in fulfilling the aforementioned activities in face of the difficulties encountered and duly described in the activity report.

4. If the CCP decides on failing the student, he/she will have 45 days in which to submit another report. Only after analyzing this second report will the CCP be able to effectively fail the student.

XI – Advisers and Co-Advisers

1. In able to become Supervisor, professors must request accreditation and re-accreditation every 5 years through the CCP for Master’s and Doctorate courses.

2. The Supervisors accredited for Doctorate courses will automatically be accredited for the Master’s level.

3. Request for accreditation and re-accreditation must obey the following criteria:

a) hold a Doctoral Degree from USP, or recognized by the university, for at least 1 (one) year;

b) for advising Doctorate students, to have graduated at least 1 (one) Master’s student over the last 5 (five) years;

c) demonstrate true insertion in one of the Program’s research lines;

d) be involved in ongoing research project, preferably financed by a funding agency. Those projects without funding should be able to prove their feasibility;

h) demonstrate scientific, artistic and/or technical production compatible with field of knowledge as described in item “i” below. A set of at least 8 scientific production items must be presented over a five-year period. Scientific production may be shared with artistic production as qualified below, as long as a minimum of 3 qualified scientific productions be maintained for the five-year period.

i) Qualified scientific, artistic and technical production should comply with the following criteria:

- Scientific production: the publication of articles in the field of interest in periodicals with an editorial council; book or chapter in book with academic interest; be included in congressional annals with a scientific commission.

- Artistic production: relevant artistic production is considered as being the following: direct theatrical work or similar; acting or performance work; writing of screenplay or play; create stage settings or wardrobe; act as festival curator; individual or collective exhibition; the realization of artistic installation or similar; write, produce, curate; major musical composition (symphonic piece, string quartet) or a series of work considered as a whole; participation as soloist in concert; regular activity with instrumental groups, recording and/or the realization of artistic films, CDs and DVDs.

- Technical production: work with applicative character aimed at creating and disseminating means and support for different scientific and artistic productions that maintain a clear connection with the program’s research lines.

4. For each accreditation request received, the CCP will designate an ad hoc professional to issue a detailed report on the requirements listed in item 3, in which the following items will be taken into consideration:

a) scientific, artistic and/or technical production;

b) research experience and participation in funded projects;

c) advising experience (Scientific Initiation, End of Course Project and Master’s and Doctorate Lato Sensu and Strictu Sensu).

d) Development of academic activities, participation in scientific and artistic events, certification of masters and doctors and advising of Scientific Initiation scholarship holders.

5. For re-accreditation, besides those items contained in item 4, the number of students the advisor has certified, the number of absences during the period and the scientific, technological and artistic productions derived from the theses and dissertations he has advised will be taken into consideration.

6. Each supervisor may adviser a maximum of 10 (ten) students at a time.

7. For the Doctorate, co-advisers will be accepted and be allowed a maximum of 2 students as long as duly justified by the adviser and accompanied by a report attesting to his/her merit in the subject.

8. In duly justified cases and those approved by the CCP, doctor professors from other institutions or units, external to USP, as well as those studying for their doctor’s degree and young researchers doing research work at USP, may also be accredited as advisors as long as they observe the accreditation criteria stipulated in item 3.

XII – Procedures for submitting Dissertation/Thesis

1. Theses and dissertations must be submitted at the Unit’s Graduate Office accompanied by:

a) Form with suggested names for examination board signed by the adviser.

b) 8 (eight) printed copies for Master’s and 12 (twelve) printed copies for Doctorate. 2 (two) of the copies must be in a binder , in plastic sleeves.

c) Students should also submit a copy of their dissertation or thesis in one PDF digital file.

d) a printed and up-to-date copy of student’s curriculum on a CNPq/Lattes Platform.

2. The dissertation or thesis should necessarily be written in Portuguese and comply with the following items:

a) Cover and title page in accordance with model provided by ECA’s Graduate Office;

b) abstract in Portuguese and English;

c) body of work comprised of introduction, chapters and conclusion;

d) bibliography;

e) eventual annexes.

XIII – Title Nomenclature

The title granted will be that of Master or Doctor of Arts, program name and Academic Research Area if pertinent.

XIV – Other Regulations

1. On Special Credits:

1. a) Up to 7 (seven) special credits may be used to transfer class credits as deemed fit by the CCP, following these maximum percentages:

a) complete work published in magazine with national or international distribution with a recognized editorial council and adequate reference system, up to two credits;

b) chapter in book with recognized merit in the student’s field of knowledge, up to two credits;

c) book with recognized merit in field of knowledge, up to four credits;

d) publication of complete work in event annals, up to one credit;

e) participation in Teaching Proficiency Program (PAE), three credits.

 

2. Foreign Candidates

On Selection Criteria:

1.1 Applications for foreign candidates for a position in ECA-USP’s Graduate Program will be accepted from August 1 – 31 of each year.

1.2 Candidates should send the following documents to ECA’s Postgraduate Service:

a) letter explaining the reasons why they wish to  be admitted in the Master’s or Doctorate Programs;

b) curriculum vitae with documented production;

c) The Research Project must be presented in Portuguese, in clear language, demonstrating grammatical and conceptual erudition. The Doctorate project, in relation to the Master’s, should contain: a greater degree of theoretic and methodological elaboration; greater profundity and complexity of the research object, uniqueness and originality of theme, an obligatory research hypothesis. It should be structured in the form of topics, and no more than 20 double-spaced pages long, including the bibliography, complying to the structure described below.

Cover

Should contain the following information:

1. Candidate’s Name

2. Program Name

3. Research Area

4. Self-explanatory title

5. Level of project (Masters or Doctorate)

Research Project

Page 01

Title and Abstract (up to 05 lines)

1. Research Summary

Schematization of project in parts, chapters, topics.

2. Introduction

Pertinence and adequacy of project for Program and the chosen Major.

3. Object

Research subject and problem – Justification as to its relevancy and originality.

4.Theoretical Reference Table

Insertion of project in existing research and revision of basic bibliography.

5. Objectives

General and specific; theoretical and practical.

6. Methodological Procedures

Explanation of investigative methods and techniques; their adaptation to the project.

7. Final Considerations

8. Bibliographic References

Maximum 3 pages

9. Chronology of Research Activities

d) copy of graduation diploma or diplomas, authenticated by Brazilian Consul in the country;

e) academic history, authenticated by Brazilian Consulate in the country;

f) two letters by teachers or researchers from the institution that issued the undergraduate or master’s diploma, attesting to the candidate’s academic report.